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July 8, 2016

Artwork for The New Yorker Festival 2016. The annual festival offers talks, interviews, screenings and performances from the worlds of film, fiction, politics, comedy, science, fashion, food, and more.

July 7, 2016

Launch identity for The New Yorker TechFest, a tech conference that “explores the stories behind the technology that is radically transforming our work and our lives.”

June 5, 2016

Launch identity for the Montauk Oceans Institute. The institute exists “to build community, educate, and heighten awareness surrounding our local ocean’s health through an interactive museum space and outdoor oceanfront amphitheater in Montauk, Long Island.”

The logo is a minimal synthesis of land, sea and air that also references the institute’s iconic site: Located in the building that housed the foghorn for the historic Montauk Lighthouse.

December 2, 2015

Artwork for “The Doomsday Invention“— a New Yorker article on the future and ethics of artificial intelligence. This project involved a feature illustration, animation, as well as The New Yorker’s first ever interactive illustration. See more about the project here.

From The New Yorker: “Humans have survived fires, floods, and storms for thousands of years. Can they survive an innovation of their own making? Raffi Khatchadourian profiles the philosopher Nick Bostrom and explores the future of artificial intelligence, in our annual Tech Issue.”

Illustration, direction and design: Todd St. John. Animation: Christopher Gereg. Javascript coding: Jono Brandel. Creative Direction (New Yorker): Nicholas Blechman.

November 18, 2015

The Barbarian Group recently asked us to produce a series of stop-motion Instagram animations for Kind that promote healthy eating. The loopable animations were all shot practically, and include topics like low-glycemic foods, daily sugar intake, and whole grains. Check out some more Kind facts at @kindsnacks

November 18, 2015

Illustration for The New Yorker on CRISPR, “a powerful new technology that enables us to manipulate our genetic code with unprecedented ease, may have the potential to unravel the mysteries of autism, contribute to a cure for cancer, and remove the allergens from peanuts. So why are some scientists leery of the breakthrough technology?”

Illustration by Todd St. John. Read the article here.

November 7, 2015

HunterGatherer created this short stop motion animation for the launch of The New York Times’ VR platform. As part of the launch, they sent out over 1 million Google Cardboard goggles to subscribers. Learn more, and download the app at: nytimes.com/vr